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script pt 2 unfinished

INT. BEDROOM is dark and gloom, empty bottles of alcohol scattered across the room and around BED. Small amount of SUNLIGHT can be seen peaking through gaps in curtain. Blonde MALE character wakes up, stress expressed on his face, hangover clearly taking effect. Slowly LIFTS his head and quietly MOANS as he SITS UP. BLONDE MALE LOOKS around his BEDROOM sees a large mess; the look of DISGUST can be seen on his face on his face. BLONDE MALE character Stands up and Stumbles towards the window and DRAWS the curtain. SUNLIGHT GLARES on his face, BEDROOM more BRIGHTLY lit.  MALE SQUINTS EYS in the SUNLIGHT and TURNS away from the window and slowly WALKS out of the BEDROOM.
Orson Welles auteur The producers of lady from shanghai didn't understand the storyline which was Orson Welles goal who wanted to show the technical aspects and cinematography. people didn't understand the storyline of the film and came up with theories that an original cut was missing. Orson Welles knew what he wanted to make although his knowledge of came angles and shots were limited. Orson Welles was well known for long tracking shots in his films, low-key, high contrast lighting. Welles uses lighting and shadows to distort or hide the faces of the immoral characters.
file:///C:/Users/Owner/Desktop/macbeth.pdf
winters Bone production value                                 budget-$2million                                 box office-$16.1million                                 key themes                                 independence                                 addiction and drug abuse                                 family                                 gendre roles and feminism whole film shot with none diegetic sound

winters bone

Winters Bone Winters bone strongly uses its social construct to help emphasise realism in the film. For example, during the production of the film, the film makers chose to film in the public area, had the characters wear clothes from the shops in the area and even used local actors to help create an authentic feeling. A sequence that’s strongly shows the use of the films social construct is when Jennifer Lawrence’s character Ree takes her younger brother and sister hunting for squirrels. The fact that it is the older sister who is having to take this mother role on due to her mother’s health highlights the fact that the place the family live in is very self-reliant and quite poor. Another example of this is the fact that the character of Ree has to look for her farther herself which also shows how that community is often forced to take matters in to their own hands in order to live a relatively stable life. Furthermore, the idea that Ree has to take her very young siblings hun
Overall, I believe that the whole film went well, the use of muse-rn-scene passed expectations. The colour, for example in the second scene, while walking home matched the whole skeptical feel. Orange street lights on a dark night we’re able to create a cold and virtually uncomfortable feel. Lighting in the climax, with Danny kitchen being killed, worked well with the whole dramatic feel. Red and blue while walking was able to resemble good vs bad, bad being up top. The low key in his room also gave an unnatural feel to the scene. Contrasting with the high-key and real life lighting. Setting: the tunnel, alert ways, small rooms, dark streets worked well with the dark, dramatic and formal feel to the movie. We all worked hard together on this movie. from filming, getting resources, locations correct, people and the painful process of editing the whole group remained well; adding in input to what could be done with angles, shots and how something’s could be done differently while keepin
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